Saturday, February 27, 2010

How To Take Yourself Apart, How To Make Yourself Anew – A Review


How To Take Yourself Apart, How To Make Yourself Anew – A Review
by Glen Binger

How to. Construct wonderful prose. How to. Induce emotions. How to. Aaron Burch. How to. Does it all.

Aaron Burch has done it again. In his latest chapbook, released via PANK, he paints your imagination with images by developing words, phrases, and grammar exactly the way writers everywhere wish they could. How To Take Yourself Apart, How To Make Yourself Anew is something fresh for your tired eyes.

The chapbook is divided up into three sections; each cut up into instructions of sorts. Each piece of prose is persistent and non-stop. It makes it hard to put down. While only fifty or so pages, it does not make for a skimmed, quick read. Each sentence, every paragraph is so well developed that you find yourself rereading it. Like a double-take, just to be sure you really did read something so beautiful. Without doubt, you WILL find yourself reading the entire chapbook in one sitting. By my own will, I could not set it aside.

By part three, the reader desires to become something else. Something more. Aaron has evoked a new self. Yet, somehow at the same time, he tells a story that the reader pieces together while turning each page. He creates a map in your mind using carefully constructed language. And it is fun to navigate.

A very enjoyable read, I suggest you pick up your copy as soon as possible. It will take you apart and put you together and then help you repeat the process until you’re satisfied.

Aaron Burch, PANK, and How To Take Yourself Apart, How To Make Yourself Anew can all be contacted/found here.

eNJoy!

Monday, February 22, 2010

Pat Roddy: An Interview


Pat Roddy is a musician native to Belmar, New Jersey. He and his band play up and down the Jersey Shore year-round so be on the look out. He's down to earth and an all-around good dude, not to mention pretty funny. Get ready.

Kiley Rummler and I were lucky enough to get the chance to ask him a few questions.

Several of his CDs are available on his website, as is his schedule of upcoming shows. If you're in the tri-state area, we suggest trying to catch them as soon as possible. Check it out and support your local scene!

He introduces his answers as follows:

i have sloppy typing skills and sorry and dont take it personally for my flippant answers.

Pat Roddy, you are a local celebrity in Belmar. What's that like? Do people pick you out of a crowd yet?

I am a celebrity in a two block radius around my house, ususally because my pants are down. People do not pick me out of a crowd but they do pick my nose sometimes when i have a hanger.
Which reminds me if the celebrities got together and hate TMZ soo much, just pay people to stalk and take pics and videos of the people who stalk and take videos of them. I m guessing that would make TMZ people pretty pissed. There should be a show where celebrities pay tons of people who are outta work to stalk harass, go to bars and film the film crews of TMZ all day and all night. Genious.

Where do you get your inspiration? What do you find motivates you best?

My inspiration generally comes from life and music. most people i know are the same. If i hear a good tune or something catches my eye i try to put that into imagination and fly with it. Other peoples music is also an inspiration. People who i hang out with, girlfriend, etc. Seeing things that make me mad, which is almost evrything. So everything inspires, sometimes theres too much and you get depressed about it. Then you try to find the good in things and sort it out someway. My best motivation is getting up, seeing bags under my eyes, and going for a run.

What about your original work? What kind of tracks have you recently cut?

Funny you should ask. The band is now recording about 15 songs. A few old ones, but mostly new material at Shorefire Sound in Long Branch. Mostly rock, but a few of the tunes im putting in a bluegrass, Dylanish flavor. Hopefully everything will come out nice and its great to work with the band in a great studio. SO im very fortunate to have great musicians around me who make me look good while i bask in the limelight. Our drummer - Justin, bass play - Mister W and Keyboardist - Chris Giunco all have amazing talent and im proud to be playing with them. Some of the tunes are a little soulfull, one is kinda gospelish, and there are a few tribute songs to local artists and national artist. Kinda like ripping them off while tributing them at the same time. Like a rock and roll reacharound.

You have released three full albums of your own stuff, can you talk about them a little?

First one stinks. Second one is pretty good but im singing outta tune. Third one is very listenable and it looks like this one is shaping up very well.

How long does it normally take you to compose an entire album?

Well for this CD ive written about 15 to 20 songs. Not all are going to make it, and maybe some wont even get recorded. That can take a few years to write a bunch of tunes. Like i write like tunes without words then put the words in here and there. If nothing is sounding inspirational or getting my own attention then i dont go back to it. If somewhere in a song it has potential ill try to revisit it and see what comes out emotionally. And if the emotions fit the style of the song then ill finish it. Finishing songs though is hard becuase you always think you can do better. And if it isnt up to par, like most musicians i know, i just trash it and move on. Nothing to me is ever good enough so maybe i procrastinate, but ive been learning just to write and let bad songs be bad songs and some good ones will pop up.

What are you currently working on? What can all the Pat Roddy fans out there expect next?

All twelve of the Pat Roddy fans out there can expect some more expansion musically, and possibly of my waistline. No really the Cd is the next thing coming out hopefully by the summer itll be at shows and on Itunes and all that nonsense.

Is it difficult trying to find time to write and be creative AND still have to practice with your band for performances?

This question has a false assumption. We dont practice. Never have. Well maybe if its a big gig. But seriously i cant remember the last time we practiced. We practice when we play it makes it more enjoyable for us. Learn and make our own energy and see what happens. Its not soo hard playing covers you know. Its like texting while driving. Sometimes you crash.

Do you ever get tired of playing other artist's music in the bars?

Yes

Favorite cover to perform for the crowd? Least favorite?

No real favorites for the crowd. If the crowd is having a good time we like throwing things out that might be a little different to see if they want to go that direction. If not then generic rock and roll suits just fine. No least favorite as long as people are having a good time not really into Wham so i never played them either that doenst answer your question

Who is your least favorite Simpsons character?

Ha why do i need to dis a Simpsons character. They should have a shady Russian dude next to the Indian guy in the 7-11. Cause in the 7-11s around here that all there is. If i had my pick i d pick Bart. he never grows up. WTF.

Do people ever request Freebird? If so, do you immediately want to hit them?

Yes and Yes sometimes once in a blue moon we ll play it for them and its funny it s not a bad song though. But we never play it. Im not really into the band. Little too redneckish for me, especially after all that right wing crap they started spewing.

For all the readers out there, what's the best way to get in contact with you to buy a CD or book a gig?

Best way to get in contact with me is drive up to my house and knock on the door. i get up around 2 so have a mint at the door and maybe some goggles. If you want to book a gig with us you can contact our agent Mitch Cumstein, at MitchCumsteinProductions@yahoo.com

Rules from the cat for me.

Rules from the Cat for Me:

1.You are permitted to look at me, but only if I am looking at you.
2.You must keep me well fed and watered.
3.You are permitted to pet me but you may not touch my head.
4.You will allow me window and garbage access.
5.You will let me sleep next to you but you may not touch me.
6.If any part of your body is within biting distance, it will be bitten.
7.If there is anything that brings you joy in this apartment, I have your permission to ruin it.
8.You will permit me to distract you from work with loud meowing and running across the room.
9.When you are weeping quietly in your bed, I will leave you alone to contemplate the completeness of your misery.
10.If you bring in strangers I will act as though they are my long lost owners come back to rescue me.
11.You will permit me to resent you after strangers leave without me.
12.Any sign of affection is a misunderstanding on your part.

Failure to comply with these rules will result in scratches, hidden defecations, and knocking over the food and water bowls.

video

Friday, February 19, 2010

In Right Field

Hopefully this is the start of my comeback tour, more stuff to come:

The summers of my youth were filled with the scent of fresh cut grass and baseball diamond dirt; with a glove in one hand and a picked dandelion in the other, I stood proudly at my position in right field. The red and blue uniform that marked my team affiliation was loose on my lanky frame; with the gap in my front teeth and my copper hair, I looked like a baseball playing Alfred E. Neuman.

The little league field in my hometown was a slice of the nostalgic American life you only see on TV Land. There were two bite-sized fields, complete with a massive scoreboard which was never used, but was left standing for aesthetic reasons. All of this was so the pint-sized players could experience America’s pastime from the ages of 5 to 15. As soon as I was eligible to play, my parents signed me up. For all of my 8 seasons as a Point Pleasant Recreation Center Little Leaguer, my father was my coach.

In order to understand why this is significant, let me take you back to July 10th, 1989; the day I was born. My father, Thomas Long is with my mother, staring at me- their first born son. They name me Brian and my father bestows upon me the middle name Carl after Carl Yastrzemski, his favorite player on the Boston Red Sox, his favorite baseball team. And Mr. Yastrzemski was no slouch either, he was an 18-time all-star, the winner of seven golden gloves, a member of the 3000 hit club, and the first American League player in that club to accumulate over 400 homeruns. In my room still hangs a newspaper photo, yellowed with age, of Yastrzemski as he watched one of the many baseballs to fall victim to his bat soar over the Green Monster in Fenway Park. Beneath the photo was the caption: “The Greatest Hitter to Play the Game.”
I can only imagine how my father felt watching me chase down a fly ball as it would soar over my head and out of the reach of my barely used glove.

In 1999, I played on the Texas Rangers. I was entering this season after my back-to-back retirement from little league basketball, where I laid more bricks than a masonry worker, and little league soccer after the game where I was hit in the stomach by a stray corner kick and subsequently sat in the middle of the field for the remainder of the game as the two teams played around me. Before the baseball season started, my dad sat me down in my room.
“You don’t have to play this year if you don’t want to,” he told me. The Carl Yastrzemski photo hung over his head, like a grim specter of baseball’s past.
“No, I’ll play, it’s alright,” I said. Quitting from basketball or soccer was one thing, but baseball was sacred to my father. I couldn’t give up on that without feeling like I had taken something away from him.

During our first practice I looked around at my fellow teammates; Anthony Zambito, Nick Cambell; my dad had organized an unstoppable little league squad. The Texas Rangers were a force to be reckoned with, and somehow I was a part of this team; I was like Christian Laettner on the 1992 Olympic Dream Team- never heard of him? No one has.
Although the league organizers had the “everybody wins, everybody gets a trophy” mentality, there was a sense school yard of pride in being a part of a championship team, plus you got a slightly larger trophy. My father would run team practices with the same intensity and knowledge of the game that made him the team captain of the Seton Hall Pirates baseball team in college despite being the team’s manager, not an actual player. That’s how much my dad loved baseball.

Our first game of the season was against James Peak; the Moriarty to my dad’s Holmes. Peak coached the Trenton Thunder, the only team in the rec. league that wasn’t named after a major league team. There’s no doubt in my mind Peak intentionally made this choice so his team would inherently have the home field advantage. The man was a powerhouse in the world of little league baseball; parents killed to have their sons on his team. Peak even pulled some strings so his daughter could be on his team, a shocking development because girls were expected to play on the rec. league softball teams after the formative tee-ball years. Every time we played Peak’s Thunder team my father switched into full-on coach mode, from the pre-game breakfast at home to the post-game car ride. I think my father saw a little bit of every person who ever doubted him in Peak; from his mother-in-law, to every kid who made fun of his weight in high school. Peak was all of them in one convenient mustached package.

“Okay, batting order,” my father cried in what I now know as the “it’s go time” voice “Derek, Bill, and Brian.”

I nervously shoved more strips of Big League chew into my mouth. For me, having to bat was like being put against the wall for execution. When “batter up” was called, I put on my helmet, tied a white blindfold around my eyes and placed a cigarette in my mouth, then stood in the batter’s box like a little league Che Guevara while the pitcher aimed and fired.

WHAM!

With a circular sore in my back, I slowly walked towards first base. Last time I checked, I still hold the Point Pleasant Little League record for most ball pegs in a career. I stood with one foot prepared to run in the dirt, the other was waiting on the base, ready to launch my body forward when the time was right.

“Honey, do you want some ice?” my mother asked through the fence behind first base.

“No mom,” I cried “Mo Vaughn’s mom doesn’t ask him if he wants ice!”

Mo Vaughn was my favorite player on the Red Sox growing up; he was also the only player who’s name I could remember so he kind of won by default.

Our first game ended with a victory, and the rest of the season followed a similar pattern of wins. I carried the team morally by leading chants of psychological torment from the dugout such as “pitcher’s got a big butt,” and writing funny words like “poop” on the thin layer of dirt that covered the dugout’s concrete floor. I believe it was because of my insistence that the whole team sang a chorus of “We Are the Champions” at the end of each game that we reached the championship game. We would play against (in a twist worthy of any Hollywood sports film) the Trenton Thunder. The strong humidity in the air that day seemed to stem from the boiling tension between my dad and Peak. I stood ready in my outfield position. If I was ever going to make a difference during a game, I felt as though this would be it.

With the start of the seventh inning, I experienced the peak of my athleticism, which to this day has still been unmatched. With a man on third, the batter made a clutch hit that flew over the third-base man’s head and plopped into the open space right in front of me. I bolted forward as soon as the ball and bat made contact, scooped up the ball; grass brushing against my knuckles, and flung it home with all the force I could muster. I threw the ball so hard that my hat fell over my eyes. Blinded, I could hear the jubilant cries of the crowd; I lifted my hat and saw the umpire had thrown the runner out at home. My teammates came running toward me as though I had just won us the game, when in reality there was still plenty of time to blow the lead. It didn’t matter though. I was Rudy, I was Tony Danza in “Angels in the Outfield.” I somehow made a half decent play after going five-years without showing a lick of athletic talent. My dad jumped up and down along the first base line like a school girl.

The honeymoon soon ended and the game resumed. With one inning left of play, a runner on first and second and two outs Peak’s daughter walked out of the dugout with the fate of the entire game resting on her shoulders. I started to wonder just how much of playing was her choice and how much was her father’s. This girl was the do-or-die deciding factor for her team at this moment. Did Cal Ripken Jr. ever feel the way she felt with Cal Ripken Sr. standing on the sidelines? The first pitch flew in.

CRACK

It was sharp line drive towards left field; the third baseman jumped up and snagged the ball with ease. The Texas Rangers had won. I looked at over at Peak as soon as the ball had been caught, he lifted the clipboard to cover his face and stormed off the field to the dugout. I spent the last, and extremely uneventful, final season of my baseball career with the image of Coach Peak with his face behind the clipboard at the front of my mind. What was behind that thin piece of wood? Anger? Sadness? Shame? Whatever it was, I couldn’t stop myself from imagining my own dad, face behind a clipboard, as a result of my own shortcoming.

The next year, as my dad was driving me to tryouts for the new season, I finally made my choice.

“Dad,” I said “I don’t think I want to play this year.”

My dad was silent for a minute; I braced myself, expecting him to drive his Ford off the bridge like a vehicular lemming.

“That’s okay,” he finally said “you want to get some pizza?”

***
My dad continues to coach the teams of my younger siblings. His latest project has been instructing my youngest brother on how to bat left-handed

“I’m going to make this kid a slugger if it kills me,” he always says.

In my room, I still have my photo of Carl Yastrzemski hanging on my wall. Directly under it was where I used to keep my championship trophy from the year of the Rangers, which I have recently packed away in my attic. As I was packing it away, I thought about that smell of grass and dirt. Of all the fly balls I missed, all the pitches I was hit by, and every strike out I got. In spite of all that my dad always looked me straight in the eye as I slouched back to the dugout and said:

“Good job,” with his clipboard firmly tucked under his arm.

Thursday, February 18, 2010

Contest Announcement!

The Broad Set's May Day Contest!

The Broad Set Writing Collective is reading at The Wooden Shoe in Philadelphia on May Day. To acknowledge revolutions, past & present, we would like to announce our first contest. The theme is (of course) revolution. Be creative. Talk about labor relations or a personal triumph. It can be punk rock or folky and fun.

Guidelines:
- Submissions will be judged by The Broad Set team.
- Prose or poetry is fine
- No more than 300 words
- You CAN submit multiple times
- No previously published work
- Email your submissions to BroadSetContest@gmail.com
- Attach submission as .DOC file. Include your biography, website and home address. (Please no .docx files.)


Biography:
- A short paragraph about yourself
- Your website & home address

Rights:

- Winner is subject to minor editing and copyrighted upon publication.

- We ask for First Serial Rights
- If the winning piece is reprinted we humbly ask that you indicate it was published with Broadset first.


Prize:
2nd Place
- Publication on The Broad Set website
- Two copies of The Broad Set zine
- Two 2NDHAND broadsheets

1st Place
- Publication in the next edition of the May 1st Broad Set zine
- A copy of Jonathan Baumbach's You or The Invention of Memory
- & 2Nd place prizes

Deadline:
- March 20th
- Each submission will have a response by April 2nd

Support the arts. Come out May 1st to see The Broad Set Writing Collective Ft. Eric Nelson @ The Wooden Shoe
(704 South Street Philadelphia PA 19147)


"Please join us for a night of Fiction and Poetry reading! The Broad Set Writing Collective features members whose fiction and poetry have been published in McSweeney's, Opium Magazine and Monkey Bicycle. They have created both Lo-Fidelity and 50-1 magazines. Come out for poetry and prose by Peter Richter, Glen Binger and Sam Cicero as well as free copies of The Broad Set Magazine. Special guest reading by Eric Nelson, author of the short story collection, "The Silk City Series."


& tomorrow...

Friday, February 19th @ 7PM

The Broad Set at Symposia Community Books

(510 Washington Street, Hoboken, NJ)

Magazines, stickers & our world famous grab bag.

199997

An inside heartbreak.
A delicate architecture.
And you and your sword and your false-soft heart-start.
I have loved. I have lied.
The only betrayal after ten years in mourning was the bag that I packed. My eyes dry, forgetting their part of the bargain, pupils dilated in the quietest, rainiest, earliest winter.
You and I have won no beauty contests.
Your second face was late to the party. Those pink balloons have popped, or floated out to sea to kill some dolphin--smarter than us--or strangle an ancient turtle.
How do we gasp in the sea?
I asked you this once, how do fish catch their breath? You paused and said, "Like crying in the shower."
The poetry of you was always unintentional.
A misplaced tear from somewhere else.

Wednesday, February 17, 2010

Hi. I'm Megan.

I'm the newest member of The Broad Set, and I am so happy to be here. I'm an English major at Fordham University, and I do a lot of other things besides.

Most of my writing is a way for me to keep my memories safe. I've never been good at taking photographs, or drawing, or painting, and I can't write songs, so this is what I've got. Every story or poem has a little piece of me in it.

My mom's birthday was yesterday. I listened to a lot of Patty Griffin because in the song, "Little Fire," whoever is singing "Dream the Impossible Dream" (is that what it's called?) a cappella at the end sounds just like my mom--beautifully off-key.



Tuesday, February 16, 2010

Happy Van Halen-tines Day

It seems this year, like every year before it, Valentine’s Day forces society to choke down the massive displays of crimson cellophane and boxed chocolates, white fluffy teddy bears holding heart-shaped pillows, and “I Love You”s printed haphazardly on tiny candy hearts with a hint of “minty” flavor (or is it?) But as it would turn out, this year feels a little lonelier for some.

A friend of mine (Jon,) for example, spent his Valentine’s Day with a group of us, since Jon is recently going through a divorce, after only two short (and apparently unhappy) years of marriage. The divorce was solely his wife’s idea, and needless to say, Jon’s been upset. Valentine’s Day only threw more salt on his emotional wounds. If I may, without getting into any further juicy details at this time, let me just say that, well, Jon’s a lot better off; and I’ll leave it at that. Some of us, on the other hand, refuse to be let down by a holiday that we don’t get off of work for. That’s where my buddy Justin comes in.

To combat loneliness, or to avoid giving into spending copious amounts of money on candies and plush toys, Justin dubbed February 14th as “Van Halen-tines Day.” This, in and of itself, is a slap in the face to a Hallmark holiday such as Valentine’s Day. To tell someone, “Hey! Happy Van Halen-tines Day!” not only boasts that you don’t give rat’s ass about Valentine’s Day itself, but that you also refuse to give into the self loathing “I hate V-Day” parties which are meant for people who obviously feel an urge to designate a day to feel sorry for themselves, thus giving us a reason to ask ourselves, why do they care? Yes, Van Halen-tines Day may just be another lousy replacement for an already lousy holiday (if I can call it a holiday) but on the contrary, it’s so much more. It means we get to have a Van Halen-tines Day party, listen to Van Halen all night long (just the David Lee Roth years) and dress in (optional) late 80’s rock band garb, while shamelessly rocking out, dancing, and eating food. You see, it simultaneously eliminates the whole idea of loved ones and flowers, and of recognition of loneliness or self-loathing; it’s just completely absurd, ridiculous, nonsensical fun.

So if you’ve got a friend like Jon who is a bit down in the dumps, cheer him up with a handmade David Lee Roth card, a little humor, and a discussion of the band’s break up. At least, hopefully, it will take his mind off of the heartbreak at hand. If you’re in love, good for you, but do remember that there are lonely people out there, and the last thing they want to hear from someone as in-love as you is that “they’ll find someone great soon too” because they are well aware that love doesn’t come easy, and they know it certainly won’t speed up their luck just because you said it would change. So all that bragging about what your certain-someone did for you that was so cute, - yeah, can it for now, unless someone is sincerely asking. And if you’ve got that other friend who love’s Valentine’s Day more than their own significant other, give them a swift reply, “Hey, happy Van Halen-tine’s Day to you too!” and ponder the look they’ll give you as you turn your back to go on your merry way to a party where everyone wears spandex (JUMP)-suits, singing along in unison at the top of their lungs “I’m so sad and lonely,” completely regardless of their situation. Finally, thanks to Justin and Van Halen-tines Day, love, loss, and lack-thereof can all be one again.

Monday, February 15, 2010

Review of The Silk City Series


A (Silky) Review of Eric Nelson's The Silk City Series

Review by Glen Binger

Language can do many things. It can be hurtful. It can make you smile. It can twist into a spiraling waterfall of grammar and punctuation. But in a nontraditional sense, it can be smooth. Eric Nelson has crafted this style for us in his latest collection The Silk City Series. (out this February on Knickerbocker Circus Publishing)

Nelson is submersed in the do-it-yourself zine community, therefore much of Nelson’s collection has been seen in the subversive society thanks to his dedication to the literary population. But not like this. Recently revamped and revised, The Silk City Series brings new quality and fresh presentation to the table.

Based out of Paterson, New Jersey, Nelson takes you through one of the most down-to-earth contemporary collections. If you’ve never been to North Jersey but wonder what it’s like or what kinds of people inhabit the area, these six stories will show you. There is no fluff, no unbelievable situations, and especially no flimsy, ridiculous existential theories.

The collection allows the reader to look inward and to think about their lives and families. It makes you think about yourself and your existence and your relationships with everyone around you. Nelson does this solely by writing from experience. He brings you straight to the heart of the diversified working-class East Coast.

The flow is even and the dialogue is natural, making it an enjoyable read. The characters are well-developed. Each story relates to the reader into the New Jersey setting, creating familiarity; as if you’ve been there before or you’ve met the characters somewhere previously.

Be sure to pick up your copy for $1o at Knickerbocker Circus. You won't regret it.

Visit Eric's Twitter and Tumblr. He is a strong supporter of the zine community and currently lives in Queens where he runs Cup and Saucer Press.

eNJoy!

---

Currently listening to: "Lean on Sheena" by The Bouncing Souls

Saturday, February 13, 2010

Burroughs: On Love

There it is


Asleep in the mashed potatoes once more…You called out through blisters and the smell of stale coffee. I was born a grocery store hammer surrounded by sanitary products. We will see when the clouds fade who is king.


There it was


In the past, sing songs about rifles and mathematical equations. Drink gin and yell to the gods. You are asleep and there is no agreeing with you when you get this way. If I were to sell you the moon you would disagree and beg for vinyl.


There it’s going


Ill punctuation is a blasphemy to the affluent. I will not mend the ways of the weak but rather attempt to destroy the half-man, half-mutant the operates around the vast edges of the collective heart. Garage sales that sell tents are all the rage. We are wondering if it will work in amazement.


There it goes


Traveling gypsies steal lawn ornaments to sacrifice to William Carlos Williams. In the scope of restitution we find our hero adept and willing to become the sponge he was born to be in the express check-out lane. He believes that supply is only half of demand. There is a deep sense of community and hope inside the recesses of the sewers. They march, we obey, we sell ourselves with 15 items or less, repeat. The axis has righted itself. The overweight curtain falls. The audience applauds out of awkward obligation. It is all very genuine.


There it will be.

Monday, February 8, 2010

Spiders on the Wall

So it's been a really long time since I posted any writing on this blog. I've been busy with my celebrity weakness project (Only Human) and rarely have time to write other things. But luckily I squeezed this one out this morning. Its not done yet, so any feedback would be greatly appreciated. Thanks brah(s). Billabong. (That was for you, Andrew.)

---

Spiders on the Wall
Glen Binger

Her eyes creaked open in the misty morning sun seeping through my dusty window. From her facial expression, I could tell she thought I was watching her sleep, but really I had just woken up and coincidentally looked over at the exact moment she did. I decided against acknowledging that notion, however. It wasn’t worth trying to defend my sanity.

Suddenly her eyes darted to the ceiling behind me.

“There’s a spider,” she said, naturally caffeinated.

Before I had the chance to roll over and actually see the tiny, black speck on the wall next to my poster of Bob Marley, she asked me if I could get rid of it.

“Yeah, I’ll kill it in a second. Can I wake up first?” I laughed.

She looked at me, almost angry.

“Fine,” I said, getting out of bed.

“Don’t kill it though,” she said, before I had a chance to put on clothes.

I found some gym shorts and a t-shirt before recognizing the peculiarity of her statement.

“So,” I said, mocking her, “You want me to catch the spider? And put him outside” I paused to add effect, “so he can just get back into the house?”

I laughed to ease the comment. She didn’t. She just looked at me and pulled a blonde strand of hair away from her eyes.

“Okay,” I said.

I walked into the bathroom, got a tissue, and came back to catch the spider. It had moved, almost as if it heard us talking about killing it.

“Where’d he go?”

“I don’t know, I fell back asleep,” she said, opening her eyes again.

I laughed. “Okay, we’ll if he shows his face again, I’ll snag him.”

I placed the tissue on my desk and climbed back into bed. After ten minutes, we had both fallen back asleep. Later, when I woke up, I noticed her looking at me. I felt my face contort in the dehydrated afternoon sunlight. Debating whether or not to say anything, I saw the spider who was now directly above our bed.

---

Currently listening to: Big D and the Kids Table
Song: LAX
(one of the best live bands I've ever seen)

Monday, February 1, 2010

Boxes of Light, An interview with Shane Jones


Shane Jones is the author of Light Boxes and The Failure Six; both of which, are novels that dig deep into creative imagination. We were lucky enough to have him answer a few of our questions and talk a little about the recent success of Light Boxes. Shane, The Broad Set thanks you.

If you have not read either novel, I suggest you do so immediately.

The Failure Six is available on Fugue State Press.

Light Boxes is due out on Penguin Books.


How long did it take you to write Light Boxes? How did you even come up with an idea so wild?

Most of the book was written in a four month period. After that there was some editing. But all of the little sections that are in the book were written during a four month period, I think summer of 2007. As far as the idea, I just kept expanding on things. I've always had a strange relationship with winter and the month of February. If you live in the northeast, you probably know that February is a terrible month of cold, darkness, and snow. It just made sense to fight it. Thaddeus Lowe is based on the historical character who flew balloons during the civil war. Things just clicked.

Describe your level of excitement when you found out about Spike Jonze wanted to make Light Boxes into a film?

It really didn't feel real. Anything that happens "outside" of writing a book doesn't feel real to me. Like, I can only write a book, hope it's published, and then it's out of my control. I'm done after that. Sure, there is promotion and interviews like this, but what people say (reviews, blogs) and do with my book (film option) is all out of my control. But yeah, it was exciting. The day I got the contract I kept starring at the end where my name was next to Spike's, where we both hand to sign. Strange.

Last question about Light Boxes, I swear. When Penguin expressed interest in publishing it, what was it your initial reaction? How exactly did that happen? How does it make you feel?

Ummm, good? Yeah, it was a great feeling that they were interested. There was a lot of buzz and hype surrounding the book and every major press wanted to read it. Three presses ended up "bidding" on the book and I decided to go with Penguin. My agent did all of that work. Again, kind of this surreal and not-in-my-control kind of feeling. I couldn't be more happy at Penguin either. I was always skeptical about a large publishing house. But they've been so supportive, it's pretty humbling. My editor has a lot of tattoos.

Can you describe your creative process a little? How do you get what you think down into written form?

I really don't know how to answer that question. I try and read a lot and I try and write a little each day. Sometimes that works out. Sometimes I don't write for months, but just think of what I want to write. I don't really have a set process.

What is your biggest influence/inspiration while writing?

Other writers and artists. Creating a new world I can explore and feel safe in. Music. Just trying to live a life that involves creating and telling stories is important to me and I've placed meaning in it.

Who is your least favorite Simpson's character? Why?

Good question! Probably Sideshow Bob. Every episode involving Sideshow Bob makes me cringe. He's just not interesting to me.

You're new book, The Failure Six, is out on Fugue State Press. Can you talk a little bit about it?

Yes, I can. It tells the story about a group of messengers trying to retell the life story of a woman named Foe. It deals with failure and how we communicate as people. It's like an action-adventure story but filled with pop-art and fun/odd happenings.

Future plans? Are you working on any new projects? If so, can you talk about them?

I just finished up a book of poems called A Cake Appeared, that Scrambler Books will publish very soon. Pretty excited about that.

As a reader, what do you look for in a good piece of literature? What are you currently reading?

I want to get caught up in the language of a book and be surprised. I'm re-reading sections of Gravity's Rainbow, re-reading Notable American Women, and recently finished Pale Fire. All three of those books are amazing and just so interesting to me.

What is your favorite thing to eat/drink on a rainy day when all you feel like doing is laying in bed?

I really love coffee. I recently stopped drinking coffee for a few days just to see what it would feel like. It was a terrible idea, and I think I only lasted two days. Laying in bed, drinking coffee, reading, that sounds nice. If it was later in the day, maybe evening, I'd probably change to tea.